A screen printed portrait of a young girl against a red, white, and blue foggy background.

Les Misérables

Dr. Stacie J. and Richard J Stephenson Theatre

July 15, 2026

October 18, 2026

Act 1: 1 hour 30 minutes, Act 2: 1 hour. There will be one 15-minute intermission.

Hope, justice, and redemption set against the rising tide of revolution. 

Extended by popular demand! Flex Passes, Season Subscription Tickets, and Single Ticket Credits from the 25/26 Season will not transfer over to the extension dates. Please contact the Box Office at (602) 254-2151 or boxoffice@phoenixtheatre.com with any questions.

About the Show

Winner of eight Tony Awards, including Best Musical, Les Misérables returns to the stage tells a timeless story of courage, love, and sacrifice, set against the backdrop of 19th-century France. Join us for one of the most iconic musicals of all time, featuring unforgettable songs like “I Dreamed a Dream,” “On My Own,” and “One Day More.” It’s a story that continues to inspire audiences across the globe. 

 

This show contains theatrical smoke and haze, simulated gunfire, and adult language, as well as themes of violence, prostitution, and suicide.
Audio Description and American Sign Language Interpretation are available for each production. ASL/Audio Describe Night is:
Thursday, August 6, 2026 7PM
Our Box Office is here to help!
Just call 602–254–2151 and we’d be happy to assist you.


Box Office Hours:
Monday – Friday: 12pm to 5:30pm
Will Call: Two hours before show time

Looking to bring a group of 10 or more? Theatre is always better with friends and we have great group rates for you! Click here for details.

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Reviews

"Rather than allowing the spectacle of revolution to overwhelm the story's emotional center, [director and choreographer, Brendan Stackhouse] continually returns us to the intimate moments where conscience quietly shapes destiny, giving his staging remarkable narrative clarity throughout."
Broadway World, Herbert Paine
"The perfect cast begins with Ethan Rogers’ Valjean with his beautiful voice that brings such songs as “Bring Him Home” and “Who Am I?” to glowing musical perfection. His acting allows audiences to understand his striving for equality."
Curtain Up Phoenix, Chris Curcio
"…Geoffrey Belliston delivers one of the production's most accomplished performances. His Javert is a force to be reckoned with, his devotion to law and order absolute, unwavering, and sincere. Yet Belliston's greatest achievement lies in revealing the gradual fracture within that certainty. … Belliston charts that painful unraveling with aching humanity, transforming Javert from a rigid antagonist into one of the musical's most tragic figures."
Broadway World, Herbert Paine
"Especially amusing is Terey Summers’ and Toby Yatso’s marvelously wily couple, the Thenardier’s, who’s “care” of Cosette revolves around how much money they can make. The couple’s “Master of the House” gives the serious show a bit of comic relief."
Curtain Up Phoenix, Chris Curcio
"Kevin Robert White's superb musical direction provides the emotional architecture of the production. Conducting the orchestra, White shapes Claude-Michel Schönberg's magnificent score with both sweep and intimacy, allowing its great anthems to soar while giving equal emotional weight to the production's quieter, deeply personal moments. Under White's baton, the score becomes the emotional language through which the characters' struggles with justice, sacrifice, hope, and mercy find their fullest expression, lending depth and resonance to the production's emotional journey."
Broadway World, Herbert Paine
"Carmiña Monserrat and Tre Moore bring warmth, sincerity, and expressive voices to Cosette and Marius, making their relationship feel less like conventional romance than the living future Valjean's sacrifices have made possible. Their scenes together become quiet affirmations that mercy does not merely rescue lives; it creates possibilities."
Broadway World, Herbert Paine
"Carmiña Monserrat’s Cosette, Hahnna Christianson’s Eponine, and Monet Sabel’s Fantine [are] all exquisite."
Curtain Up Phoenix, Chris Curcio
"With a fantastic cast, including a performance by Ethan Rogers that is inspiring, Phoenix Theatre's 'Les Misérables' is a wonderful production of this beloved and inspiring musical."
Talkin' Broadway, Gil Benbrook
" "Red and Black" becomes far more than an anthem of youthful idealism. [Director, Brendan] Stackhouse stages it as a thrilling call to social justice, capturing the students' absolute faith that courage and conviction can transform a nation."
Broadway World, Herbert Paine
"Douglas Clarke's fantastic multi-level set is expansive, including tunnelways, balconies, and a staircase and bridge that are used for great effect in several scenes, with evocative lighting by Tim Monson that oozes moodiness. Alita Lopez's hair and makeup designs are wonderful, including a few wigs for Rogers that allow him to age effectively over the course of the show."
Talkin' Broadway, Gil Benbrook
"Monet Sabel's Fantine embodies the heartbreaking consequences of a society that mistakes poverty for moral failure."
Broadway World, Herbert Paine
"At the center stands Ethan Rogers' compelling Jean Valjean. Rogers wisely resists portraying Valjean as an untouchable icon of virtue. Instead, he reveals a man who repeatedly chooses compassion despite every reason to surrender to bitterness. His performance possesses uncommon intensity and emotional clarity, reminding us that redemption is never a single transformative event but a lifelong discipline of moral choice."
Broadway World, Herbert Paine
"The vocals of the entire cast are superb and Kevin Robert White's music direction is fantastic, with the 15-piece orchestra delivering a rich, beautiful sound of the virtually non-stop score, with Ashton Michael Corey's sound directing ensuring every note of music and lyric is crystal clear."
Talkin' Broadway, Gil Benbrook
"Josh Pike is commanding and powerful, with a crisp and warm singing voice that shines on his songs."
Talkin' Broadway, Gil Benbrook
"Hahnna Christianson's Éponine gives moving expression to love defined not by fulfillment but by sacrifice."
Broadway World, Herbert Paine
"Geoffrey F. Belliston brings power and passion to the role of Javert."
Talkin' Broadway, Gil Benbrook
"The barricade reminds us what people are willing to die for. Jean Valjean reminds us what they must live for. The Phoenix Theatre Company's production understands that Hugo believed both revolutions matter, but only one can continue after the smoke has cleared."
Broadway World, Herbert Paine
"Rather than allowing the spectacle of revolution to overwhelm the story's emotional center, [director and choreographer, Brendan Stackhouse] continually returns us to the intimate moments where conscience quietly shapes destiny, giving his staging remarkable narrative clarity throughout."
Broadway World, Herbert Paine
"The perfect cast begins with Ethan Rogers’ Valjean with his beautiful voice that brings such songs as “Bring Him Home” and “Who Am I?” to glowing musical perfection. His acting allows audiences to understand his striving for equality."
Curtain Up Phoenix, Chris Curcio
"…Geoffrey Belliston delivers one of the production's most accomplished performances. His Javert is a force to be reckoned with, his devotion to law and order absolute, unwavering, and sincere. Yet Belliston's greatest achievement lies in revealing the gradual fracture within that certainty. … Belliston charts that painful unraveling with aching humanity, transforming Javert from a rigid antagonist into one of the musical's most tragic figures."
Broadway World, Herbert Paine
"Especially amusing is Terey Summers’ and Toby Yatso’s marvelously wily couple, the Thenardier’s, who’s “care” of Cosette revolves around how much money they can make. The couple’s “Master of the House” gives the serious show a bit of comic relief."
Curtain Up Phoenix, Chris Curcio
"Kevin Robert White's superb musical direction provides the emotional architecture of the production. Conducting the orchestra, White shapes Claude-Michel Schönberg's magnificent score with both sweep and intimacy, allowing its great anthems to soar while giving equal emotional weight to the production's quieter, deeply personal moments. Under White's baton, the score becomes the emotional language through which the characters' struggles with justice, sacrifice, hope, and mercy find their fullest expression, lending depth and resonance to the production's emotional journey."
Broadway World, Herbert Paine
"Carmiña Monserrat and Tre Moore bring warmth, sincerity, and expressive voices to Cosette and Marius, making their relationship feel less like conventional romance than the living future Valjean's sacrifices have made possible. Their scenes together become quiet affirmations that mercy does not merely rescue lives; it creates possibilities."
Broadway World, Herbert Paine
"Carmiña Monserrat’s Cosette, Hahnna Christianson’s Eponine, and Monet Sabel’s Fantine [are] all exquisite."
Curtain Up Phoenix, Chris Curcio
"With a fantastic cast, including a performance by Ethan Rogers that is inspiring, Phoenix Theatre's 'Les Misérables' is a wonderful production of this beloved and inspiring musical."
Talkin' Broadway, Gil Benbrook
" "Red and Black" becomes far more than an anthem of youthful idealism. [Director, Brendan] Stackhouse stages it as a thrilling call to social justice, capturing the students' absolute faith that courage and conviction can transform a nation."
Broadway World, Herbert Paine
"Douglas Clarke's fantastic multi-level set is expansive, including tunnelways, balconies, and a staircase and bridge that are used for great effect in several scenes, with evocative lighting by Tim Monson that oozes moodiness. Alita Lopez's hair and makeup designs are wonderful, including a few wigs for Rogers that allow him to age effectively over the course of the show."
Talkin' Broadway, Gil Benbrook
"Monet Sabel's Fantine embodies the heartbreaking consequences of a society that mistakes poverty for moral failure."
Broadway World, Herbert Paine
"At the center stands Ethan Rogers' compelling Jean Valjean. Rogers wisely resists portraying Valjean as an untouchable icon of virtue. Instead, he reveals a man who repeatedly chooses compassion despite every reason to surrender to bitterness. His performance possesses uncommon intensity and emotional clarity, reminding us that redemption is never a single transformative event but a lifelong discipline of moral choice."
Broadway World, Herbert Paine
"The vocals of the entire cast are superb and Kevin Robert White's music direction is fantastic, with the 15-piece orchestra delivering a rich, beautiful sound of the virtually non-stop score, with Ashton Michael Corey's sound directing ensuring every note of music and lyric is crystal clear."
Talkin' Broadway, Gil Benbrook
"Josh Pike is commanding and powerful, with a crisp and warm singing voice that shines on his songs."
Talkin' Broadway, Gil Benbrook
"Hahnna Christianson's Éponine gives moving expression to love defined not by fulfillment but by sacrifice."
Broadway World, Herbert Paine
"Geoffrey F. Belliston brings power and passion to the role of Javert."
Talkin' Broadway, Gil Benbrook
"The barricade reminds us what people are willing to die for. Jean Valjean reminds us what they must live for. The Phoenix Theatre Company's production understands that Hugo believed both revolutions matter, but only one can continue after the smoke has cleared."
Broadway World, Herbert Paine

Cast

Ardelt,Ryan
Ryan Ardelt
Ensemble/Feuilly
Becker,Drew*
Drew Becker*
Jean Valjean alternate, Ensemble/Factory Foreman
Belliston, Geoff*
Geoffrey F. Belliston*
Javert
Boyd,Liam
Liam Boyd
Ensemble
Alyssa Chiarello*
Alyssa Chiarello*
Ensemble (Eponine understudy)
Christianson,Hahnna
Hahnna Christianson*
Eponine
Cook, Kate E
Kate Ella Cook*
Wigmaker/Ensemble (Fantine understudy)
Davidson,Scott*
Scott Davidson*
Ensemble/Innkeeper (Factory Foreman understudy)
Trisha Ditsworth*
Trisha Ditsworth*
Ensemble/Locket Crone
Dossett, Jack
Jack Dossett
Ensemble/Babet (Marius understudy)
Ewing, Leon
Leon Ewing
Gavroche
Shiloh Foreman
Shiloh Foreman
Little Cosette/Little Eponine
Giles,Joshua
Joshua Giles
Ensemble
Inez, Savannah
Savannah Inez
Ensemble/Madame Whore (Madame Thenardier understudy)
Koher, Renee
Renee Kathleen Koher
Ensemble/Factory Girl (Madame Thenardier 2nd cover)
Lade, Alexia
Alexia Lade
Little Cosette/Little Eponine
Teddy Ladley*
Teddy Ladley
Ensemble/Courfeyrac (Enjolras understudy, Graintaire second understudy)
Krista Monaghan
Krista Monaghan
Ensemble
Monserrat,Carmina_Square
Carmiña Monserrat*
Cosette
CC_Dominic Montufar
Dominic Montufar
Gavroche
Moore, Tre*
Tre Moore*
Marius
Pike, Josh*
Josh Pike*
Enjolras
Rogers, Ethan*
Ethan Rogers*
Jean Valjean
Rogers, Grace*
Grace Rogers*
Ensemble (Cosette understudy)
Sabel, Monet*
Monet Sabel*
Fantine
Sheppard, Nathan
Nathan Sheppard
Ensemble
Summers, Terey
Terey Summers
Madame Thenardier
Timson, Kyle*
Kyle Timson*
Bishop/Loud Caller (Javert understudy, 2nd Valjean cover)
Turpin, Kendal
Kendal Turpin
Ensemble
Ward, Alex Temple*
Alex Temple Ward*
Ensemble/Combferre (Thenardier understudy, Grantaire first understudy)
Worley, Elizabeth
Elizabeth L. Worley
Ensemble/Dance Captain
Yatso, Toby*
Toby Yatso*
Thenardier
Dodaro, Matthew
Matthew Dodaro
Swing, Bishop/Loud Caller understudy
Gade,Jasmyn
Jasmyn Gade
Swing
Riddering, Nicole
Nicole Riddering
Swing
Schmelder, Scott
Scott Schmelder
Swing
Todd, McKaylee
McKaylee Todd
Swing
Uribe, Andrés
Andrés Uribe
Swing
Ardelt,Ryan
Ryan Ardelt
Ensemble/Feuilly
Becker,Drew*
Drew Becker*
Jean Valjean alternate, Ensemble/Factory Foreman
Belliston, Geoff*
Geoffrey F. Belliston*
Javert
Boyd,Liam
Liam Boyd
Ensemble
Alyssa Chiarello*
Alyssa Chiarello*
Ensemble (Eponine understudy)
Christianson,Hahnna
Hahnna Christianson*
Eponine
Cook, Kate E
Kate Ella Cook*
Wigmaker/Ensemble (Fantine understudy)
Davidson,Scott*
Scott Davidson*
Ensemble/Innkeeper (Factory Foreman understudy)
Trisha Ditsworth*
Trisha Ditsworth*
Ensemble/Locket Crone
Dossett, Jack
Jack Dossett
Ensemble/Babet (Marius understudy)
Ewing, Leon
Leon Ewing
Gavroche
Shiloh Foreman
Shiloh Foreman
Little Cosette/Little Eponine
Giles,Joshua
Joshua Giles
Ensemble
Inez, Savannah
Savannah Inez
Ensemble/Madame Whore (Madame Thenardier understudy)
Koher, Renee
Renee Kathleen Koher
Ensemble/Factory Girl (Madame Thenardier 2nd cover)
Lade, Alexia
Alexia Lade
Little Cosette/Little Eponine
Teddy Ladley*
Teddy Ladley
Ensemble/Courfeyrac (Enjolras understudy, Graintaire second understudy)
Krista Monaghan
Krista Monaghan
Ensemble
Monserrat,Carmina_Square
Carmiña Monserrat*
Cosette
CC_Dominic Montufar
Dominic Montufar
Gavroche
Moore, Tre*
Tre Moore*
Marius
Pike, Josh*
Josh Pike*
Enjolras
Rogers, Ethan*
Ethan Rogers*
Jean Valjean
Rogers, Grace*
Grace Rogers*
Ensemble (Cosette understudy)
Sabel, Monet*
Monet Sabel*
Fantine
Sheppard, Nathan
Nathan Sheppard
Ensemble
Summers, Terey
Terey Summers
Madame Thenardier
Timson, Kyle*
Kyle Timson*
Bishop/Loud Caller (Javert understudy, 2nd Valjean cover)
Turpin, Kendal
Kendal Turpin
Ensemble
Ward, Alex Temple*
Alex Temple Ward*
Ensemble/Combferre (Thenardier understudy, Grantaire first understudy)
Worley, Elizabeth
Elizabeth L. Worley
Ensemble/Dance Captain
Yatso, Toby*
Toby Yatso*
Thenardier
Dodaro, Matthew
Matthew Dodaro
Swing, Bishop/Loud Caller understudy
Gade,Jasmyn
Jasmyn Gade
Swing
Riddering, Nicole
Nicole Riddering
Swing
Schmelder, Scott
Scott Schmelder
Swing
Todd, McKaylee
McKaylee Todd
Swing
Uribe, Andrés
Andrés Uribe
Swing

* Denotes a member of Actors’ Equity Association

*Denotes a Member of Actors’ Equity Association

Creative Team

Brendan Stackhouse+
Director + Choreographer
Kevin Robert White
Music Director/Conductor
Alec Reiss
Associate Director
Julian Lamarti
Associate Conductor
Alain Boublil and Claude-Michel Schönberg
Book
Claude-Michel Schönberg
Music
Herbert Kretzmer
Lyrics
Alain Boublil and Jean-Marc Natel
Original French text
James Fenton
Additional Material
Trevor Nunn and John Caird
Adaptation and Original Directors
Stephen Metcalfe, Christopher Jahnke, and Stephen Brooker
Orchestrations
John Cameron
Original Orchestrations
Douglas Clarke♢
Scenic Designer
Ashton Michael Corey
Sound Designer
Tim Monson
Lighting Designer
Robert Fletcher + Vincent Scassellati
Costume Designers
Alanna Maniscalco
Properties Manager
Aaron Bianco
Fight Director
The Kansas City Costume Company
Costumes
Maci Hosler
Costume Coordinator
Alita Lopez
Hair + Makeup Coordinator
Chelsea Anderson
Casting Director
Samantha Monson*
Stage Manager
Zach Mlekush*
Assistant Stage Manager
Kristin Clayton
Company Manager
Karla Frederick
Director of Production
Brendan Stackhouse+
Director + Choreographer
Kevin Robert White
Music Director/Conductor
Alec Reiss
Associate Director
Julian Lamarti
Associate Conductor
Alain Boublil and Claude-Michel Schönberg
Book
Claude-Michel Schönberg
Music
Herbert Kretzmer
Lyrics
Alain Boublil and Jean-Marc Natel
Original French text
James Fenton
Additional Material
Trevor Nunn and John Caird
Adaptation and Original Directors
Stephen Metcalfe, Christopher Jahnke, and Stephen Brooker
Orchestrations
John Cameron
Original Orchestrations
Douglas Clarke♢
Scenic Designer
Ashton Michael Corey
Sound Designer
Tim Monson
Lighting Designer
Robert Fletcher + Vincent Scassellati
Costume Designers
Alanna Maniscalco
Properties Manager
Aaron Bianco
Fight Director
The Kansas City Costume Company
Costumes
Maci Hosler
Costume Coordinator
Alita Lopez
Hair + Makeup Coordinator
Chelsea Anderson
Casting Director
Samantha Monson*
Stage Manager
Zach Mlekush*
Assistant Stage Manager
Kristin Clayton
Company Manager
Karla Frederick
Director of Production

* Denotes a Member of Actors’ Equity Association

+ Denotes a Member of Stage Directors and Choreographers Society

♢ Denotes a Member of United Scenic Artists (IATSE)

* Denotes a Member of Actors’ Equity Association | + Denotes a Member of Stage Directors and Choreographers Society | ♢ Denotes a Member of United Scenic Artists (IATSE)

Events

Gold text reading Les Misérables. Behind it, screen printed portrait of a young girl against a red, white, and blue foggy background.

Les Misérables

July 15, 2026

October 18, 2026

Hope, justice, and redemption set against the rising tide of revolution. 

Promotional artwork for “Murder for Two” at The Phoenix Theatre Company, running August 26–September 20, 2026. A man wearing a fedora sits at a piano beside a taped outline of a body. The title “Murder for Two” appears above, with the letter "w" in "Two" designed as piano keys.

Murder For Two

August 26, 2026

September 20, 2026

One detective, ten suspects, two actors, infinite chaos.