
A Christmas Carol
Dr. Stacie J. and Richard J Stephenson Theatre
November 26, 2025
—
December 28, 2025
1 hour and 40 minutes with one 15 minute intermission.
A joyous musical extravaganza with a legacy that continues to inspire.
Ticket Prices: Start at $60
This production is sponsored by SRP

View Digital Playbill HERE
About the Show
A story of redemption, second chances, and the power of human kindness, A Christmas Carol is a musical journey through the heart of one man’s transformation. On one fateful Christmas Eve, Ebenezer Scrooge is visited by three ghosts who guide him through his Past, Present, and Future, leading him to discover the true spirit of Christmas. Featuring a stirring score by The Phoenix Theatre Company’s late Music Director, Alan Ruch, and direction by Matthew Wiener, who helmed A Christmas Carol at Actors Theatre for 19 years, this production continues a beloved holiday tradition. Celebrate nearly two decades of magic, music, and storytelling in this cherished classic.
Content Warnings
This production includes theatrical fog, haze, loud rumbling, and flashing light effects.
This production contains some narrative elements, including ghosts and the fragility of life, that could be disturbing for younger audience members.
ASL/Audio Describe Night
Audio Description and American Sign Language Interpretation are available for each production. ASL/Audio Describe Night is:
Thursday, December 17, 2025 7PM
Thursday, December 17, 2025 7PM
Need Help with Tickets?
Our Box Office is here to help!
Just call 602–254–2151 and we’d be happy to assist you.
Box Office Hours:
Monday – Friday: 10am to 5:30pm
Will Call: Two hours before show time
Just call 602–254–2151 and we’d be happy to assist you.
Box Office Hours:
Monday – Friday: 10am to 5:30pm
Will Call: Two hours before show time
Group Sales
Looking to bring a group of 10 or more? Theatre is always better with friends and we have great group rates for you! Click here for details.
Digital Playbill
Reviews
With its strong direction, compelling performances, and thoughtful revisions to the beloved story, Phoenix Theatre Company's production of A Christmas Carol offers a heartfelt and engaging holiday experience. It pays tribute to Dickens' beloved story of redemption while offering fresh ways to illuminate its message of compassion, generosity, and second chances.
Gil Benbrook, Talkin' Broadway
The late Alan Ruch’s pleasant original score plus some classic holiday tunes cleverly interwoven are wonderful to hear again. The novel story approach which trims many details from Dickens’ source by adapters Michael Grady and Wiener has also been reinvigorated. It all couldn’t be better.
Chris Curcio, Curtain Up Phoenix
Lauran Stanis’s choreography animates the large ensemble with buoyant movement, yielding energetic tableaux that heighten the festive tone.
Herbert Paine, Broadway World
A lovely bonus in the show is the trio for the Miner, the Nurse, and the Helmsman, whose harmonies create one of the most beautiful musical highlights in the score due to the superb musical performances by Teddy Ladley, Trisha Ditsworth, and Connor Dunning.
Gil Benbrook, Talkin' Broadway
The Fezziwig scenes provide some of the production’s most exuberant moments, led by D. Scott Withers, whose portrayal of the jovial patriarch is full-throated, jubilant, and irresistibly magnetic. He is well matched by Shani Barrett as Mrs. Fezziwig.
Herbert Paine, Broadway World
The pairing of "What Child Is This?" with "Silent Night" is another standout, led by Bunting and rich with gorgeous vocal blending from the entire cast that enhances the show's emotional resonance under Kevin Robert White's stirring music direction; the 11-piece orchestra sounds fantastic playing Craig Bohmler's sweeping orchestrations.
Gil Benbrook, Talkin' Broadway
As Ebenezer Scrooge, popular local performer Rusty Ferracane tackles a very different type of role and does it with a “bah humbugging” flourish. He starts inward and is unwilling to credit anyone until the end when he becomes a jubilant celebrant of the Yule season.
Chris Curcio, Curtain Up Phoenix
Ferracane’s performance allows the eventual transformation to feel earned rather than inevitable. His scenes with Bob Cratchit (a gentle and grounded Matravius Avent) underscore the tension between callousness and conscience that drives the narrative forward.
Herbert Paine, Broadway World
As Scrooge, Rusty Ferracane offers a textured performance, capturing both bitterness and vulnerability. By the time Scrooge is confronted with the bleakness of what lies ahead, his transformation into a man eager to embrace kindness feels fully earned in Ferracane's fleshed out portrayal.
Gil Benbrook, Talkin' Broadway
Historically flowing costumes and fast-moving sets enhance the staging as do Craig Bohmler’s sharp orchestrations and music director Kevin Robert White who turns the musical numbers into splashy holiday magic.
Chris Curcio, Curtain Up Phoenix
Stephen Gifford's set is impressive, using several moving pieces and a large and always present clock-face motif, along with the imaginative video designs of Nathan W. Scheuer that quickly establish both the realistic settings and the ghostly environs.
Gil Benbrook, Talkin' Broadway
Bob Cratchit is played with sincerity and steady optimism by Matravius Avent. Jane Bunting is simply lovely as Mrs. Cratchit, and her expanded role anchors several emotional moments which adds depth to the Cratchit family dynamic.
Gil Benbrook, Talkin' Broadway
The impressive lighting by Jared Sayeg helps to define each supernatural visit, from the soft glow of Christmas Past to the vibrant colors of Christmas Present and the dark domains of Christmas yet to be. Maci Hosler's costumes are richly detailed and period appropriate, adding color, texture, and vibrancy.
Gil Benbrook, Talkin' Broadway
Eddie Maldonado's Marley is portrayed with chilling conviction, delivering a performance full of urgency. Johanna Carlisle-Zepeda's Ghost of Christmas Past is gentle, fun, and ethereal, while the Ghost of Christmas Present radiates warmth and generosity in Geoff Belliston's rich portrayal. As Scrooge's earnest nephew Fred, Kendrick Stallings provides buoyant energy.
Gil Benbrook, Talkin' Broadway
Ultimately, A CHRISTMAS CAROL succeeds as wholesome, energetic, celebratory entertainment. It is a [...] polished and heartfelt seasonal production that reflects both the artistic legacy of its creators and the communal spirit of the holiday.
Herbert Paine, Broadway World
With its strong direction, compelling performances, and thoughtful revisions to the beloved story, Phoenix Theatre Company's production of A Christmas Carol offers a heartfelt and engaging holiday experience. It pays tribute to Dickens' beloved story of redemption while offering fresh ways to illuminate its message of compassion, generosity, and second chances.
Gil Benbrook, Talkin' Broadway
The late Alan Ruch’s pleasant original score plus some classic holiday tunes cleverly interwoven are wonderful to hear again. The novel story approach which trims many details from Dickens’ source by adapters Michael Grady and Wiener has also been reinvigorated. It all couldn’t be better.
Chris Curcio, Curtain Up Phoenix
Lauran Stanis’s choreography animates the large ensemble with buoyant movement, yielding energetic tableaux that heighten the festive tone.
Herbert Paine, Broadway World
A lovely bonus in the show is the trio for the Miner, the Nurse, and the Helmsman, whose harmonies create one of the most beautiful musical highlights in the score due to the superb musical performances by Teddy Ladley, Trisha Ditsworth, and Connor Dunning.
Gil Benbrook, Talkin' Broadway
The Fezziwig scenes provide some of the production’s most exuberant moments, led by D. Scott Withers, whose portrayal of the jovial patriarch is full-throated, jubilant, and irresistibly magnetic. He is well matched by Shani Barrett as Mrs. Fezziwig.
Herbert Paine, Broadway World
The pairing of "What Child Is This?" with "Silent Night" is another standout, led by Bunting and rich with gorgeous vocal blending from the entire cast that enhances the show's emotional resonance under Kevin Robert White's stirring music direction; the 11-piece orchestra sounds fantastic playing Craig Bohmler's sweeping orchestrations.
Gil Benbrook, Talkin' Broadway
As Ebenezer Scrooge, popular local performer Rusty Ferracane tackles a very different type of role and does it with a “bah humbugging” flourish. He starts inward and is unwilling to credit anyone until the end when he becomes a jubilant celebrant of the Yule season.
Chris Curcio, Curtain Up Phoenix
Ferracane’s performance allows the eventual transformation to feel earned rather than inevitable. His scenes with Bob Cratchit (a gentle and grounded Matravius Avent) underscore the tension between callousness and conscience that drives the narrative forward.
Herbert Paine, Broadway World
As Scrooge, Rusty Ferracane offers a textured performance, capturing both bitterness and vulnerability. By the time Scrooge is confronted with the bleakness of what lies ahead, his transformation into a man eager to embrace kindness feels fully earned in Ferracane's fleshed out portrayal.
Gil Benbrook, Talkin' Broadway
Historically flowing costumes and fast-moving sets enhance the staging as do Craig Bohmler’s sharp orchestrations and music director Kevin Robert White who turns the musical numbers into splashy holiday magic.
Chris Curcio, Curtain Up Phoenix
Stephen Gifford's set is impressive, using several moving pieces and a large and always present clock-face motif, along with the imaginative video designs of Nathan W. Scheuer that quickly establish both the realistic settings and the ghostly environs.
Gil Benbrook, Talkin' Broadway
Bob Cratchit is played with sincerity and steady optimism by Matravius Avent. Jane Bunting is simply lovely as Mrs. Cratchit, and her expanded role anchors several emotional moments which adds depth to the Cratchit family dynamic.
Gil Benbrook, Talkin' Broadway
The impressive lighting by Jared Sayeg helps to define each supernatural visit, from the soft glow of Christmas Past to the vibrant colors of Christmas Present and the dark domains of Christmas yet to be. Maci Hosler's costumes are richly detailed and period appropriate, adding color, texture, and vibrancy.
Gil Benbrook, Talkin' Broadway
Eddie Maldonado's Marley is portrayed with chilling conviction, delivering a performance full of urgency. Johanna Carlisle-Zepeda's Ghost of Christmas Past is gentle, fun, and ethereal, while the Ghost of Christmas Present radiates warmth and generosity in Geoff Belliston's rich portrayal. As Scrooge's earnest nephew Fred, Kendrick Stallings provides buoyant energy.
Gil Benbrook, Talkin' Broadway
Ultimately, A CHRISTMAS CAROL succeeds as wholesome, energetic, celebratory entertainment. It is a [...] polished and heartfelt seasonal production that reflects both the artistic legacy of its creators and the communal spirit of the holiday.
Herbert Paine, Broadway World
Cast

Matravius Avent*
Bob Cratchit/Ensemble

Shani Barrett*
Mrs. Fezziwig/Mourner/Ensemble

Maggie Barry-Torres*
Mrs. Fred/Ensemble/Dance Captain

Geoff Belliston*
Present/Begging Gent/Ensemble

Jane Bunting*
Mrs. Cratchit/Ensemble

Johanna Carlisle-Zepeda*
Past/Ensemble

Trisha Ditsworth*
Nurse/Bridget/Caroline/Ensemble

Connor Dunning*
Helmsman/Begging Gent/Topper/Ensemble

Rusty Ferracane*
Scrooge

Teddy Ladley*
Miner/Club Gent/Dick Wilkens/Ensemble/Bob Cratchit Understudy

Eddie Maldonado*
Marley/Minister/Ensemble

Brianna McClure*
Belle/Teacher/Party Woman/Martha/Ensemble

Kendrick Stallings*
Fred/Doctor/Ensemble

Matt Villar*
Middle Scrooge/Club Gent/Peter/Ensemble

D. Scott Withers*
Mr. Fezziwig/Baker/Ensemble/Scrooge Understudy

Armand Delgado
Samuel/Young Scrooge/Ensemble

Kambria Godfrey
Fan/Belinda/Ensemble

Finn Haase
Tiny Tim

Tommy Hebel
Samuel/Young Scrooge/Ensemble

Dominic Montufar
Tiny Tim

Audra South
Fan/Belinda/Ensemble

Savannah Inez
Swing

Morgan Karam
Swing

Ryan Monaghan
Swing

Louis Farber
Swing

Matravius Avent*
Bob Cratchit/Ensemble

Shani Barrett*
Mrs. Fezziwig/Mourner/Ensemble

Maggie Barry-Torres*
Mrs. Fred/Ensemble/Dance Captain

Geoff Belliston*
Present/Begging Gent/Ensemble

Jane Bunting*
Mrs. Cratchit/Ensemble

Johanna Carlisle-Zepeda*
Past/Ensemble

Trisha Ditsworth*
Nurse/Bridget/Caroline/Ensemble

Connor Dunning*
Helmsman/Begging Gent/Topper/Ensemble

Rusty Ferracane*
Scrooge

Teddy Ladley*
Miner/Club Gent/Dick Wilkens/Ensemble/Bob Cratchit Understudy

Eddie Maldonado*
Marley/Minister/Ensemble

Brianna McClure*
Belle/Teacher/Party Woman/Martha/Ensemble

Kendrick Stallings*
Fred/Doctor/Ensemble

Matt Villar*
Middle Scrooge/Club Gent/Peter/Ensemble

D. Scott Withers*
Mr. Fezziwig/Baker/Ensemble/Scrooge Understudy

Armand Delgado
Samuel/Young Scrooge/Ensemble

Kambria Godfrey
Fan/Belinda/Ensemble

Finn Haase
Tiny Tim

Tommy Hebel
Samuel/Young Scrooge/Ensemble

Dominic Montufar
Tiny Tim

Audra South
Fan/Belinda/Ensemble

Savannah Inez
Swing

Morgan Karam
Swing

Ryan Monaghan
Swing

Louis Farber
Swing
* Denotes a member of Actors’ Equity Association
*Denotes a Member of Actors’ Equity Association
Creative Team
Original Music by
Alan Ruch
Directed by
Matthew Wiener
Musical Direction by
Kevin Robert White
Choreography by
Lauran Stanis
Scenic Design by
Stephen Gifford
Lighting Design by
Jared Sayeg
Sound Design by
Matt S. Marcus
Video Design by
Nathan W. Scheuer
Hair and Makeup Design by
Avant Johnston
Costume Design by
Maci Hosler
Properties Manager
Alanna Maniscalco
Stage Manager
Samantha Monson*
Assistant Stage Manager
Katherine Roll Lang*
Director of Production
Karla Frederick
Original Music by
Alan Ruch
Directed by
Matthew Wiener
Musical Direction by
Kevin Robert White
Choreography by
Lauran Stanis
Scenic Design by
Stephen Gifford
Lighting Design by
Jared Sayeg
Sound Design by
Matt S. Marcus
Video Design by
Nathan W. Scheuer
Hair and Makeup Design by
Avant Johnston
Costume Design by
Maci Hosler
Properties Manager
Alanna Maniscalco
Stage Manager
Samantha Monson*
Assistant Stage Manager
Katherine Roll Lang*
Director of Production
Karla Frederick
* Denotes a Member of Actors’ Equity Association
+ Denotes a Member of Stage Directors and Choreographers Society
♢ Denotes a Member of United Scenic Artists (IATSE)
* Denotes a Member of Actors’ Equity Association | + Denotes a Member of Stage Directors and Choreographers Society | ♢ Denotes a Member of United Scenic Artists (IATSE)
Events
Les Misérables
July 15, 2026
—
October 18, 2026
Hope, justice, and redemption set against the rising tide of revolution.
Murder For Two
August 26, 2026
—
September 20, 2026






















































